Author(s)

JinSheng Wang

Affiliation(s)

School of General Education, Liuzhou Ploytechinc University, Liuzhou 545006, Guangxi, China.

Corresponding Author

JinSheng Wang

ABSTRACT

This study examines ethnic minority costumes collected by the Guangxi Zhuang Brocade Museum and Guangxi Ethnic Museum, employing field investigations, document analysis, and artifact authentication to investigate the technical characteristics of textile production, dyeing, embroidery, and craftsmanship in Guangxi's intangible cultural heritage of traditional attire. The research reveals that these costumes serve dual functions as identity markers—both distinguishing ethnic groups and symbolizing internal lineage divisions. Notably, certain techniques and patterns demonstrate cross-cultural integration through borrowing elements from other ethnic traditions. The successful translation of Guangxi's intangible cultural heritage in clothing-related fields will enhance regional branding and amplify the global dissemination of cultural symbols.

KEYWORDS

Guangxi; Clothing; Intangible cultural heritage; English translation; Regional image; Communication

CITE THIS PAPER

JinSheng Wang.English translation and dissemination of Guangxi clothing category intangible cultural heritage. Trends in Social Sciences and Humanities Research. 2025, 3(7): 1-5. DOI: https://doi.org/10.61784/tsshr3187.

REFERENCES

[1] Notice of the Office of the Ministry of Culture and Tourism on the Announcement of the Fifth Batch of National-level Intangible Cultural Heritage Representative Project Protection Units. Ministry of Culture and Tourism of the People's Republic of China website, 2021. https://zwgk.mct.gov.cn/zfxxgkml/fwzwhyc/202108/t20210802_926847.html.

[2] Fu Han, Jin Jie, Wang Yajuan. Research on Design Transformation of Miao Ethnic Costume Elements from the Perspective of Digital Twin. Packaging Engineering, 2025, 46(16): 420-430.

[3] Ma Juri, Jiang Mei. Analysis of Living Production and Transmission of Intangible Cultural Heritage in Border Multi-Ethnic Regions. Journal of Yunnan University (Social Sciences Edition), 2025, 24(04): 54-64.

[4] Xu Pingshan, Su Wei, Long Lin. Analysis of Folk Pillow Top Embroidery Patterns and Their Cultural Aesthetics. Journal of Wuhan Textile University, 2023, 36(06): 9-15.

[5] Wang Feiyang. The Revival and Sustainable Protection of Miao Embroidery, a Traditional Intangible Cultural Heritage in Northwest Guizhou: A Case Study of Huawu Village, Qianxi City. Journal of Guizhou Institute of Engineering and Applied Technology, 2025, 43(02): 134-143.

[6] Chen Jingyu, Huang Youyi. Constructing the National Foreign Discourse System: Foreign Translation and International Communication — An Interview with Mr.Huang Youyi. China Translation, 2024, 45(02): 117-122.

[7] Ji Mengting, Meng Fanxu. Research on the English Translation of Intangible Cultural Heritage from the Perspective of Ecological Translation Studies: A Case Study of Guangxi Zhuang Brocade. China Journal of Multimedia and Network Teaching (First Half), 2020(12): 161-163.

[8] Hu Gengshen. Ecological Translation Studies: The Characteristics of Ecological Rationality and Their Implications for Translation Research. China Foreign Languages, 2011, 8(06): 96-99+109.

[9] Fei Bicheng, Lu Huiling, Li Yang. Cinderella's Asian Origins: Storytellers of the Guangxi Zhuang Ethnic Group. Ethnic Literature Research, 2019, 37(03): 33-48.